This is How It Is Not

This is how it is not.

You can forget.

Whole minutes, hours, sometimes almost the whole day, you can forget.

Things are very much as they used to be, after all.  Your quarters with the gaily colored blanket knit your mother's youngest brother knit for you when you first left home spread carefully over the bed, your office with all the books you've been meaning to read for about two years now on the shelves and the familiar copy of Iuenan's famous holo of the Salaajo dancer on the wall, the hangar with the perpetual faint tang of machine oil and freeze-burned metal, the mess with bowls of apples on every table ...

Things are so very much as they used to be, you can forget that they aren't how they used to be, won't ever be how they used to be, not ever again.

You even look the same, no suddenly grey hair or new lines showing in the mirror.  No dark shadows beneath your eyes telling the world of nightmares, because you're a professional and you're not about to ignore what you know is best practice.  Exercise, healthy food, meditation, plenty of water, sometimes pills, mild ones only, when absolutely necessary, scrupulously logged with two of your colleagues from Pilot Roth's medical staff.  Your eyes are bright, your skin clear, your clothes no tighter or looser than they were a year ago.

You look perfectly healthy, in the mirror, so perfectly healthy that you can forget that you aren't perfectly healthy, won't ever be perfectly healthy, not ever again.

This is how it is not.

You do your job as well as you used to, listen and question and follow the thread of the half-hinted revelation, offer a glass of water or a box of tissues when they're needed but not when they'd break the flow words from the patient sitting across from you. You ask how they feel about what they've told you, offer patience and kindness and at just the right moment the gentle nudge that steers them towards why they're really there. Never judging, never shocked, you're the calm face that makes it possible to put words around what's unspeakable, giving them the confidence that whatever it is that gnaws away at their heart in the darkest hours of the night, it can be faced and tamed and brought to heel. They don't know that it's a lie, and so for them it isn't one.

You lie so well that for hours at a time you can forget that you know the truth now: that some beasts can never be defeated and some dark hours never end.

This is how it is not.

You can let a door close behind you without running through a calming exercise to keep your shrieking nerves from flooding your system with enough adrenaline to drop you hard into dark so black I can't tell if my eyes are open and someone screaming and they can't, they can't, they can't do this, it's a mistake, a mistake ...

You can glance casually around a room without bracing yourself in case you see a slightly-above average height man with a stocky build and light brown hair, a man just close enough to memory for your treacherous subconscious to do the rest and put you on my back and the hangar floor is cold and the weight of him is making it hard to breathe and there's nowhere that I still belong to myself now, not a single place, not even inside myself ...

You can go out without double checking the watch with the alarm that lets you know when you have to be back to take the needle from the box and stick it into the vein in your forearm, the vein pocked and pitted now with the only external marks of the constant battle between the poison and the nanites in your blood.

This is how it is not.

You can unwrap the neat package of words you've put around what happened and how you feel about it, the shiny coating that proves to the colleagues whose patient you are just how well you're dealing with what happened, how professional you've been, how much insight you have into your own case.

You don't find yourself kneeling on the shower floor with the warm water sluicing tears and snot from your face, sobbing Mumma, mumma until your throat is so sore and swollen a wave of panic breaks over you the vitoxin, the nanites have stopped working ...

You don't wake to sodden, stinking sheets, and sneak out to haul them to the 'cycler yourself so the ensign assigned to linen duty on your floor won't know that the crew's psychologist wets her bed every night.

This is how it is not.

You can see a way for you to live through this, imagine a future, not necessarily a good one but some sort of future, at least, with you in it.

This is how it is not.

You can forget.

Impossible Situations

You did your job.


Right, left, right-right, the heavy dummy jerking and rocking with each blow despite the weights at its base.

You were in an impossible situation.


Elbow, knee, fist. Left hook, right jab, right again and a kick.  Sweat burned her eyes, her breath coming short and fast as she pushed past her implants' ability to compensate, a blur of movement an untrained eye would have trouble tracking.  Hell, even a trained, unaugmented one.


Helmi is very well trained and she's packed full up to her back teeth with some of the best wiring money can buy.

All of it so there'll never be a situation that's impossible when it comes to Pilot's safety.

No matter what Pilot's sister says.


There's good enough, and not good enough, and a gap in between wide as the space between the stars, but no situation is impossible, if you're good enough, if you train hard enough, if you get it right.

Helmi got it wrong, there's no question of that.

Got herself good and dead, for one thing. Clear sign of a fuck-up.

Let Pilot get hurt. A little, Invelen had said. Before I realized.


The dummy jerks and dances, the casing beginning to split. Helmi hits it again, and again, leaving smears of blood despite the wraps over her knuckles. Her arms ache, her vision blurs, the bruises on her elbows and forearms and knees and shins are bad enough now for their dull warning ache to get past the pain suppression implant with each impact.

There's a limit, that's what Pilot's sister had said, making excuses Helmi didn't need made, offering forgiveness she hadn't asked for. There wasn't anything else you could have done.


But Helmi's not interested in forgiveness, and she's never been any better with limits than she is with excuses.  Not as a cadet, not in basic, not when Pilot's people hauled her off her crippled transport and the first face she saw as the marines snapped open their helmets was Sarge's.


You again, he'd said, even though they'd only met the once.

Me again.

Home Guard and Peace and Order, court-martial offence for either of them. Sergeant and Private on the same crew, same result. Lines that don't get crossed.

But Helmi and Sarge cross a lot of lines these days. After all, they live in a world where you come back to work two days after a bullet shatters your skull or a steel hand snaps your neck.  That's a pretty big fucking line, right there. 


Death used to be a limit.


Not any more.

Sarge forgave her for killing him. Helmi's still working on forgiving him for his forgiveness.

Not your fault, Alpassi, he'd said. Nothing you could have done.

But Helmi's not interested in excuses.

There's always something you can do.

If you try hard enough, work long enough. 


No situation is impossible.

Not even mine.

The Worst Of It: Two

You can hold onto pain, like it's a physical thing, curl yourself around it like the little sister you'd die to protect, if you want to.

Put your faith in it like the ancestors you don't have and the spirits you only pray to in foxholes.

Hold it close, so you can't feel shame or guilt past the fire of your cramping muscles, can't see the endless chain of sleepless nights ahead past the jangling colors spiraling across your field of vision, can't taste the copper coin of despair past the sour bile burning in your throat. Fill yourself with it until the hum of it in your veins drowns out everything else, until it coils through your body like smoke through a crematorium.

Amieta clung to the pain, clenched her fists on it until the servos whined and the joints grated in protest.

No more than I deserve.

There were voices, sometimes. Sometimes they were voices she knew. A woman's, soft and tender as the hands that smoothed her hair, that wiped her face. Ami? Can you hear me? Ami?

More often they were harsh, Amarr-accented, voices that went with blood and screaming and everyone dead, every single one of them but me.

The voice she thought she knew, her sister's voice, told her It isn't real, Ami, what you see, it isn't real. You're safe, with me, I'm here, Ami. Gentle fingers tried to prise open her fists, but flesh-and-blood was no match for Zainou's finest work. Cia gave up and wrapped her own hands around Amieta's, fingers tucked against the crook of rigid metal joints. I'm here, Ami. You're safe.

That might be true.

It might not be.

From moment to moment Amieta wasn't sure which of those was the worst of it.

The pain was true, the jagged edges of it in her gut, the burning cold that washed over her in waves, the hot ache in her bones.

The pain was real.

She wrapped herself in the pain like a blanket, drew it over her head and curled under it, fists clenched in its edges.

You can hold onto pain, like it's the most precious thing you have.

If you want to.

Drown yourself in it, let it wash away the knowledge that you've hurt the ones who love you, the fear you'll hurt them again, let the acid bath of it etch away the lies you told. You can let the pain eat away the shame.

And the reasons for it.

If you want to.

Even through the pain Amieta could feel Cia's hands curled around hers. She cracked an eyelid to see her sister's honey blonde head leaning on her arm, the edge of her face, one closed eye.

You can hold onto pain.

If you want to.

A new pain, different, signals firing from the machinery of her hands. Metal ground on metal, joints abused past tolerance.

The blonde head lifted. Cia blinked, eyes still cloudy with sleep. "Ami?"

Voice rusty with disuse, Amieta cleared her throat and then again, croaked, "I'm here."

Gritting her teeth against the pain, Amieta opened her hands.

Conversations on the Fortune's Firefly: Twenty Six

The instruments were laid out on the tray.

The needles and the knives.

Cia tried not look at them, but they were there, glinting in the corner of her eye.

"Are you ready, Captain Roth?" Dr Sanik asked.

No. No. Never, not ever.

"Yes," Cia said. She looked away from the tray and sat down on the examination table. "I'm ready. I think."

Metal clinked against metal. "This will only take a few moments."

"Thank you, doctor," Cia said politely. Something cold touched the skin behind her ear and she was -

falling away as fast as she can from

                                                               needles and

                  knives

and -

"Captain Roth."

Dr Sanik was on the other side of the room.

No, Cia realized. I'm on the other side of the room. Crouched in the corner, back pressed to the wall.

"Captain Night said you wanted this procedure," Dr Sanik said.

Want. Wrong word.

"I have to have it," Cia told her knees. "I have to."

Metal clinked on metal again. Cia stole a glance at Dr Sanik and saw her hands empty, the needles and the knives on the tray. "Did he explain to you that it is nothing like - the surgery you had before?"

"Yes. He said - " Cia closed her eyes and tried to make Silver's voice real, tried to make it sound as if he were there and not the other side of the cluster. A fairly minor operation, Cia. Very safe. "He said it was safe."

"It is safe," Dr Sanik said.

Cia nodded, and told her knees "I know."

"We can give you something to make it easier. A mild sedative, if you want."

"I want - " Not to have to do this. "To have -" Silver here, really here, not just a memory of a voice. "I could, if -" Ami were here, holding my hand.

"Captain Roth," Dr Sanik said. "I understand that you may feel some anxiety. I did, after all, perform the reconstructive surgery, after the ... incident."

"I know," Cia said. "I am sorry about that. I mean, I'm sorry about the - the fuss I made. I know, I knew, you weren't ... I did know. It was just the -"

              Needles

                                                                 and the

                           knives

                                                                                   and the dark.

"I understand from Captain Night there are some time constraints," Dr Sanik said.

"Yes." Cia took a deep breath, and forced herself to get up. The room spun, and then steadied. "Yes, there are. I can't afford to - I'll need to be sharp, later. I don't think, a sedative, I don't think it's a good idea."

"Then if you'll take a seat?" Dr Sanik indicated the examination table again. "We can begin."

It was a long way across the room to the table. Cia took a step, then another, keeping her gaze away from the tray, from what it held.

The last time Dr Sanik had held a scalpel and touched its blade to her scalp, Cia had held tight to Ami's cool metal hand, held on even in the dark, through the needles and the knives, until it was over.

Cia opened her mouth to say Wait, wait until Ami gets here, I'll be all right when Ami gets here.

Closed it again. If Ami was here, it wouldn't be necessary.

She heard metal scratch against metal, felt the cool touch of it on her skin. Someone was whimpering. Cia was too frightened to open her eyes to see who it was. Please, no, she thought, please, stop. Please.

The words stayed unspoken in her throat.

For family, you do anything.

Go anywhere.

Even into the dark.

Not Quite The End of The Universe

The station smelt.

Even in the hangar, Cia could taste the tang in the air: oil and grease, metal glowing under the heat of welding torches, something unrecognizable cooking at a food stall nearby.

Out in the corridors, the smells were stronger. A sickly blend of perfumes drifting from a gaggle of girls clattering and chattering past with their gazes sliding over the off-shift deckhands and dockhands slouching towards the bars and clubs on Recreation Row; a warm wave of fetid stench from the waste-cans as they were dragged through the access alleys; the thick simmer of spices poured over food protein to give it some illusion of flavor.

There was no reason the station cyclers should be weaker in Syndicate than in Heimatar. No reason at all, Cia told herself.

The station still smelt.

She swallowed hard and tried to ignore it. "Anything, M'ser Burke?"

Tanith Burke, dressed in a faded jacket with the shoulder patch that marked him as a Mordu's veteran, shook his head. "Couldn't find anyone who said they'd seen her."

"But that's just Mordu's Legion, isn't it?" Cia asked. "I mean, Ami was with the, the ... 'Bunnies'. Did you ask them?"

"It's not," Burke said, "Quite so simple."

"That's not a good enough answer, M'ser Burke." Cia turned on her heel so fast her head spun and she had to stop for a moment.

"Maybe we should go back to the hangar," Helmi said quietly.

"I'm not going anywhere until we find - " A gust of air carried the smell of sweat and onions and beer from a couple wandering past with their arms entwined and Cia stopped, gagging.

"They're not going to be faster with watching over you at the same time," Helmi said.

"You mean I'm in the way," Cia said. "Am I in the way, M'ser Burke?"

"I wouldn't put it precisely that way," Burke said.

"Well, how would you put it?" Cia felt her eyes sting with tears and blinked hard. "She's my sister, M'ser Burke, my sister and I can't just sit around and - " A sob escaped, despite her best efforts, and she covered her face with her hands.

"Perhaps you should get some rest," Burke suggested. "We are professionals, Captain Roth. Do you know the old saying about the man who buys a dog and barks himself?"

Wiping her eyes, Cia shook her head. "But I think I take your point. I'm sorry, Tanith. I didn't mean to shout at you."

"I'm sure it's been a very trying time for you," Burke said noncomittally.

Cia sighed. "Do you think you'll find her soon?"

"We know she's on this station," Burke said. "But things aren't quite as straightforward here as you might be used to. People are very wary of strangers, especially strangers asking questions." He offered his arm, and when Cia took it, tactfully turned her in the direction of the hangars. "It may take some time to build up the neccessary contacts and trust."

"How much time?"

"I won't mislead you, Captain. Months, rather than weeks."

"Oh."

They walked in silence a moment, and then Burke cleared his throat. "Of course, there is an alternative."

"Oh?"

"You could hire the local knowledge. In the person of a local operative, of some description. Of course, that would mean expanding the group of people aware of the situation, by one, at least."

"Oh," Cia said. "I don't want to ... but, months?"

"At least, Captain."

"Oh." She looked up at him. "Do you think that's what I should do? Hire someone?"

"I do," Burke said.

"Oh. Then, will you find someone for me to hire?"

They reached the hangar entrance and Burke stopped. "I'll look into it, Captain."

"Quickly, please," Cia said, having to blink back tears again. "I don't ... I don't like it here." She made herself smile, made her voice light. "It smells terrible. Like ..." Welded metal and cheap perfume, bulk spices and liquor and sweat. "Like the end of the universe."

One of Burke's eyebrows went up at that. "Sydnicate is not quite the end of the universe, Captain," he said. "There is still Solitude. And the Outer Ring."

"Well," Cia said. "We'd better hurry, then. I don't think - " She bit her lip. "I don't think it's a good idea."

To let her get any further away.

Conversations In Debreth: Twenty Five

Mathilde Leclerke ran the cloth over the already-spotless kitchen bench one more time and folded it into precise quarters. Easy to keep house when the house has no-one in it, she thought with a glance at the couches never-sat-on by the fireplace-never-lit. Change the flowers, dust ... open and close windows.

Not that it should be anything to complain about, not for a woman of her age. A nice quiet life with no crying babies and no toddlers smearing honey on the walls, no adolescent boys tramping mud through the house, no dinner parties for twenty at an hour's notice.

Most housekeepers would envy her, Mathilde knew. I'd have envied myself, fifteen years ago.

Never thought I'd miss cleaning M'selle Camille's handprints off every surface less than three foot off the ground.

She sighed. Can't hold on to your own forever, let alone the others.

What was it her own Maman had said? First they make your arms ache. Later they make your heart ache.

And she was old enough to know better, too.

Still, it would be nice to -

As her thought had bespoke Fortune herself, the front door banged open.

"Ami!" It was M'selle Roth's voice, Captain Roth as she was now. "Ami? I'm home." Rapid footsteps in the hall, and then the girl herself appeared at the door.

"Ami? Mathilde, where's Ami?"

"M'selle Invelen is not here," Mathilde said.

"Did she go out?" Ciarente asked. She crossed briskly to the chiller and opened it. "She'll be hungry when she gets back, Ami's always - ugh, Mathilde. Something's gone off in here."

"No, M'selle," Mathilde said.

Ciarente began to pull things off the shelves, sniffing them cautiously. "Well, something smells terrible."

"I am quite sure I would not let anything spoil," Mathilde said. "But I meant, no, M'selle Invelen has not gone out. She has not been here."

"Oh." Ciarente paused, and then said brightly, "She's probably stopped in to see Alain on her way from the shuttle. She'll be here soon. I wonder if she'd like some - oh, this is it." She held a bowl out at arm's length, grimacing. "The vichyssoise. Ugh, it stinks."

Mathilde took the bowl. "Made fresh this morning, M'selle."

"I don't think so, Mathilde. Get rid of it, please, it's turning my stomach."

The only odors Mathilde could identify were onion and chicken, but she turned to pour the soup away. "You are expecting M'selle Invelen today? She did not call."

"I'm sure she'll be here soon," Ciarente said. "Do we have enough eggs? Ami does like Pierre's omelettes."

"More than enough, M'selle," Mathilde said. "Even for M'selle Invelen."

"Good." Ciarente took a handful of mushrooms from their storage bin and then put them back with a sigh. "Fortune, I'm tired. More jumps this week than I like to think about."

Mathilde studied Ciarente a moment. "Would you like some tea, while you wait for M'selle Invelen?"

"Coffee, I think," Ciarente said. "It's been a long few days."

"I think we may be out of coffee," Mathilde said.

"Well, tea then. Thank you." Ciarente pulled a stool over to the counter and sat down with a sigh. "It is good to be home, Mathilde. I miss this place, you know."

"We miss you also, M'selle, and M'selle Camille." Mathilde set the kettle to boil and took clump of ginger from the root cupboard.

Ciarente looked out the window at the garden. "I've all but missed summer this year. You're well? And Pierre?"

Mathilde grated the ginger and tipped it into the teapot with a handful of lemon rind. "We are both well, yes. A little creaky, these days." She poured hot water into the pot. "And M'selle Camille? And yourself?"

"Oh, Cami's Cami, as always," Ciarente said. "And I'm fine. That tea smells lovely."

"I thought you would like it," Mathilde said, pouring a mug and setting it on the counter by the pilot. "You do look a little tired."

Ciarente wrinkled her nose and sipped the tea. "Ah, worries, you know how it is? But things will be fine, now." She turned on her stool at the sound of the door opening again. "Ami?"

"No, Captain Roth." It was a man who answered, and when he came into the room Mathilde recognised M'ser Tanith Burke from the times he'd visited to check on the security arrangements. "I'm afraid not. It seems now that Commander Invelen changed shuttles on station."

"Well, of course," Ciarente said. "Interbus doesn't do planetary runs."

"No, Captain Roth," M'ser Burke said. "Changed to a different interbus line. With a ticket to Reblier."

Ciarente set her mug down with a click. "I'm afraid you're mistaken, Tanith. Amieta wouldn't buy a ticket for Reblier when she was coming down planet."

There was a little silence in the room. M'ser Burke looked at Mathilde and she made her face expressionless. She'd had decades to practice that, in this household.

"Well," Ciarente said decisively. "When she gets here, she'll be hungry." She stood up. "I think I might make a cake, Mathilde. Do we have any candied oranges? I think with a vanilla base that might be quite nice for a warm evening."

"Captain Roth," M'ser Burke said. "Commander Invelen has, we are almost certain, left the system."

Ciarente opened a cupboard energetically. "That can't be right, Tanith. It simply can't."

"If we move quickly, we may pick up her trail in Reblier," M'ser Burke said.

"She's on her way here right now." Ciarente took the flour down and set it on the counter with a thump that raised a little white cloud from the bag.

Mathilde looked at M'ser Burke, and then reached out to put her hand over Ciarente's. "I think you should listen to M'ser Burke, M'selle."

"I would like," Ciarente said a little shrilly, "to make a cake for my sister."

"I know," Mathilde said.

"So when she gets here, she'll have something to eat." Ciarente's fingers tightened on the bag until her knuckles were white.

"M'selle. If she were here, right now, what would she tell you to do?"

Ciarente stared at the flour. "She - she ... "

"M'selle."

Ciarente let go of the flour suddenly and put her hands over her face. "She said ... stop hiding, she said. Before. Stop hiding, and do something about it."

M'ser Burke cleared his throat. "The shuttle off-world ..."

"Yes." Ciarente lowered her hands, tears tracking lines through the dusting of flour on her cheeks. "The shuttle. I will tell the crew to prep the Firefly."

Mathilde picked up the cloth from the counter and began to wipe Ciarente's face, just as she had so many times before.  Baby, toddler, child ...

There had been a time when she had had a solution for any problem Ciarente could bring to her. Long past, now, that time. 


Long past.

Mathilde dusted away the last of the flour.

"Bring M'selle Invelen back to visit," she said. "Pierre will make her as many omelettes as she likes. D'accord?"

Ciarente sniffled, and nodded. "I will." She hugged Mathilde quickly, and then turned to M'ser Burke. "We should hurry, I suppose."

They went out together, Ciarente looking very small and young beside M'ser Burke.

But not so young, anymore.

Mathilde sighed, and began to clean up the flour. When they are little, they make your arms ache.

But she is not so little, anymore.

The Hope Of His Heart

It's a story told a thousand ways on a thousand worlds.

Micha Krenshaw's Folklore Compendium records seven different versions in the system of Luminaire alone, and another forty in Crux. His students, and their students, have heard it told in Domain, in Heimatar, in Solitude, in Syndicate.  Different, each time.

And the same.

A girl, or a boy, it doesn't matter which, but human, that's the point of the story. A human girl, a human boy.

A door in the hill, or a gap in the hedge, or a mirror that reflects more than the face of those who look into it, or a pool of water, or a grove of trees. Whichever it may be, or something else entirely, it's always a gate - a gate from this world to another.

From the human, to the ... not.

Sometimes the human boy or the human girl finds a way through the door or the gap or the mirror.

Sometimes something else finds its way out.


They're always beautiful. More beautiful than humanly possible.

Because they're not human, that's the point of the story.

They stay a night, or two. Perhaps they come back, if it pleases them.  Only if it pleases them, though. It's for mortals to take care of the feelings of those around them.

Those from beyond the hedge or beneath the hill or behind the mirror take their pleasure and their leave.

Sometimes there's a child. A human woman left with broken heart and swelling belly, a human man woken by a midnight knock at the door nine months later to find a squalling bundle on the doorstep.

A changeling child, a half-breed, to raise and love but not to keep.

Not that the human mother or father weeping by the cradle need any reminder. They're beautiful, the ones from beyond, more beautiful than humanly possible, and even the sight of them condemns a human man or woman to pine forever, that glamor forever between them and the deed of their hand, between them and the hope of their heart.

It is possible to make them stay. Stay for a time, at least. Find the animal skin they shucked to take a more human form and hide it, or slip a rope woven from a single hair around their neck, or mark their forehead with a holy symbol in oil, or ash, or blood.  Lay cold iron on them.

Put a gold band on their finger.

They will stay human then, live and love in human form, at least until they search out their skin or pick apart the rope with a thorn from a rosebush planted by the light of the first full moon of spring, or gather  dew on the last day of the year three years in a row to wash away the mark.  And they will, always. That is one thing the stories all agree on.

They will love you, and stay with you, if you compel them, but they will never stop trying to be free.

Charles Etay watches the girl in his kitchen as she whisks a sauce and tastes it, pulls a face and adds salt. She is playing at being normal, here in his tiny apartment.  She's good at it, too.

The neighbors have no idea she's a pod-pilot and Charlie suspects they wouldn't believe him if he tried to tell them the truth. That nice young Cia Roth? Never!


She is playing at belonging in his world, with more success than he has when he's a visitor to hers.

And tomorrow, or the next day, she will leave. Return to her home between the stars.  Come back, as and when she choses, or summon him to her side.

He will wait, for the knock at the door, for the call, for the Interbus ticket in an envelope or the sight of her at the end of the street as he turns the corner for home.  He will wait, until the time comes when she stops calling, stops coming.

And then he will still wait.

It's a story told  a thousand ways on a thousand worlds.

It always ends the same.